VIDEOS from 2022

VIDEOS for 2022

Grace Jones’ song here, “I’ve Seen That Face Before,” is based on Astor Piazzolla’s “Libertango” (read up on it). This kid was introduced to the song in the flick Frantic, when Harrison Ford and Emmanuelle Seigner danced to it in a Parisian nightclub. One can watch the scene HERE ; Emmanuelle has some moves.



For you lovers out there, here’s French Canadian actress Andrée Lachapelle and composer Michel Legrand in a duet from Legrand’s The Umbrellas of Cherbourg. To see the same scene from the 1964 movie, click THIS:



Here's a clip from a movie currently playing on HBO. At first, I thought the singer was Andy Williams, but it's Steve Lawrence, who's 86 now. Those who'd like to hear Steve sing the entire song should go HERE. The movie is Nobody (2021) and it's rather violent (what Anthony Burgess might call "a bit of the old ultraviolence"). But this short clip (2 minutes 9 seconds) is pretty tame, except for the F-bomb at the very end, and it does feature a great old song:


This charming montage is made of outtakes from Tornatore’s 2000 flick Malèna, and is set to Morricone’s score from the movie:


Wagner is regarded as something of an antisemite, yet here we have the Jewish Georg Solti really getting into his music. I admire the energy Solti brings to his work. Also, in the trumpet section we see Helmut Wobisch, who had been a Nazi in his youth. Wondrous strange, no?:


Sam Elliott on cuss words follows:


Here's the climax of a great aria sung by the most glamorous soprano of recent times, Angela Gheorghiu:


Here's the fourth movement of Mahler's Fifth:


Comments

Post a Comment

Popular posts from this blog

A Nation of Queuers Cannot Stand

… They also serve who only stand and prate By Cedric Trevelyan, K.C.B.   I am not usually of a humour to give consequence to the middle classes taking their leisure, nor indeed am I even likely to encounter such creatures, given my more rarified social circles. But occasionally of late, whilst standing in line to procure my afternoon libation at one of the trendy coffee shops that have begun to dot my adopted homeland, I find myself rubbing shoulders with those beneath my station, and I cannot help but wince as I perceive how passively these humble folk, our good proles, endure the abuse dished up to them by certain surly concocters of caffeinated refreshments who, despite being only a missed paycheque away from penury and usually of a lower class than that of those upon whom they wait, nonetheless feel it their birthright to banter and visit amongst themselves at insufferable length before deigning to sullenly acknowledge the presence of their customers patiently standing before
Read more
  So You Think You Understand Language By Jon N. Hall   The mathematician John von Neumann once said: “Young man, in mathematics you don't understand things. You just get used to them.” The same sort of thing might also be said about language -- you don't understand language, you just get used to it.   But with language, it may be even more the case than with mathematics. That’s because folks often have to invert the true meanings of words in order to grasp what they’re hearing, i.e. what’s intended. When one thinks about it for a bit, language itself can seem rather mystifying -- better to just use it, right?   Not if one is trying to be exact. It is for the sake of exactness and precision that we create “usage rules.” But we Anglophones need better usage rules for some of the most common words in English: conjunctions. Conjunctions can create ambiguity , and in some arenas of contemporary life, like law, ambiguity can’t be tolerated. Sad to say, but we Anglophon
Read more
Image
What Makes the ‘Greatest Film of All Time’ So Great? By Jon N. Hall December 2016 ( WARNING: here lie embedded videos .) The first movie that I ever really studied is now regarded by some film critics as the “greatest film of all time.” I discovered it in the mid-1980s after reading a review by James Loutzenhiser, a Kansas City psychiatrist who moonlighted as a movie critic. The review was intriguing enough that I drove out to Watts Mill to screen the thing at the dollar cinema . And there, in that darkened low-rent little theatre began my long and unwholesome fixation with Madeleine Elster. With that first screening, I knew I had found something special. And soon after, the film ran on cable, so I taped it. That allowed me to screen it over and over again, until deep engrams were burnt into my young brain, leaving it permanently etched with the director’s dark obsessions. Mostly I watched my find on the weekends. I’d settle on a chilled libation and then settle in
Read more